從高峰滑(huá )落谷
從高峰滑(huá )落谷底，比(🧗)從(⬇)未風(🆕)(fēng )光過更難受？前(qián )曼聯(lián )球星(🐊)(xī(🥉)ng )簡(⛷)東拿變身潦倒(dǎo )過氣(qì )藝術家尤利西(🥛)，那(😚)種(🧥)(zhǒng )時不我與的虛空(kōng )落寞盡在眉(👪)宇間(🧑)。藝(💖)術(⛹)(shù )學生蒙娜欲(yù )拜他(tā )為師(shī )，反(📡)過來(🛳)成(🖼)了(⏹)他(tā )重生(shēng )的希望。發現身(shēn )患絕(⛎)(jué(🔯) )症(🌔)後(🍊)，他(🦖)由蒙娜作伴，走出隱(yǐn )居大(dà )宅，尋(🏍)訪(🛸)當年(🔥)被(🤠)他離(lí )棄的(de )弟弟及妻兒，坦(tǎn )白致(👴)(zhì(🍄) )歉望(🕯)求寬恕。感(gǎn )性而不感傷，碧巴(bā )達(🤥)以(🏈)不(👜)慍不火的(de )圓熟(shú )技巧(qiǎo )呈現破碎人生(✂)的(🚴)(de )悲(🚶)喜(xǐ )，冷不防遇上慌(huāng )失失(shī )劫匪(🤞)來個(🚋)黑(✔)色(✨)幽(yōu )默，也未忘留下孩(hái )子的(de )善良(🍋)，溫潤(👆)(rù(🗽)n )人(🏃)間(jiān )。
Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.
银(yín )行经理雅各布(弗(fú )兰克(🗂)(kè(🚩) )·(🤟)格(🛁)里(🤛)罗饰)的同(tóng )事被暴徒夺去生命，而(🔲)他(🔱)将和(🏜)警(🔷)察(chá )(布鲁(lǔ )斯·威利斯饰)联手制(🥅)(zhì(🕝) )服凶(🔴)(xiōng )手。
当格洛克 (马(mǎ )蒂·施密特-夏(♒)勒(🔲)饰(🧘))点(diǎn )燃一个臭名昭著的(de )皮条客的SUV时，他(💘)(tā(🤤) )被(🍷)抓(zhuā )住并(bìng )被拍摄了视频。他设(shè(🥝) )法离(🐍)开(🌳)后(🈲)，视频(pín )仍在(zài )网上疯传。他自发地(🥢)加入(🚚)了(🏻)一(🧀)个通(tōng )过互(hù )联网认识的(de )辍学(xué(🈷) )者小(💤)(xiǎ(🏌)o )组(🕡)。他们寻找着(zhe )弗里(lǐ )德里希，这个人(🈂)(ré(🥩)n )住在(🗨)山(🏉)区，并宣称自己的未来会身(shēn )处大(🥋)(dà(🕵) )自然(🔷)(rán )的怀抱之中。一(yī )开始(shǐ )，格洛克、(🆖)朱(🥏)蒂(dì )丝、斯特菲、埃利亚(yà )斯和保罗(🤼)只(🛩)感(🖤)受到(dào )了满满的自由和(hé )幸福(fú )，他(tā(🍧) )们(🕚)觉(🙋)得弗里德里(lǐ )希的(de )愿景可以实现(🏆)。
“我(wǒ(🚿) )的(☝)一(〰)生中只害怕一件事，就是有一(yī )天(🐥)，黑色(🔋)会(🕓)吞(➡)没(méi )红色(sè )。”
藝術家自古皆寂(jì )寞(🆓)或(🥣)(huò )許(😳)是(😹)境界，人到(dào )中年萬事憂則是現實(🚾)。在(🐥)畫室(🐉)洋(🗃)洋(yáng )灑灑(sǎ )呈現(xiàn )自由雄風的裸(🍪)男(🧔)(nán )畫作(zuò )令他一舉成名，在家(jiā )面對前(🌭)妻(🛳)懷(🤘)着新(xīn )歡骨肉、與女兒相(xiàng )處尷尬卻(🕍)令(🔻)他(🍕)一(yī )籌莫(mò )展。貝蒙特的寂寞，在於(💰)(yú )如(🌦)何(🚹)在(🦃)著名畫家(jiā )與單(dān )親爸爸雙重身(🕷)份、(🚹)藝(🏷)術(💥)創作與家庭(tíng )生活(huó )之間取得平(♑)(pí(🦖)ng )衡。維(🎡)羅(⚾)(luó )（《電影就在街(jiē )角》，35 屆）找來合(🆗)作(🕳)(zuò )多(⏺)年(📷)的編劇兼美指好友對號入座，還原(😓)(yuá(🍗)n )藝術(shù )家有血有肉的矛(máo )盾本(běn )性，在(❣)出(🥜)世(🍉)與入(rù )世的(de )兩難外，毋忘點(diǎn )點超現實(➗)的(🎒)幽(✨)默。
一对(duì )情侣外出度(dù )假，入住(zhù(🔩) )豪宅(🥚)，然(🆕)而(👇)，当(dāng )他们(men )半夜醒来，却发(fā )现自(zì(⛲) )己躺(😏)在(♑)一(✂)个处处充斥着恐怖氛围的(de )荒弃(qì(🍽) )诡(🥃)宅中(😼)…(🌕)…他们(men )意欲(yù )逃离，然而却始(shǐ )终(👭)逃(🏒)(táo )不(🐥)出(🐓)去，努力奔(bēn )逃，但逃往的地点却还(🐱)是(📃)这所诡异(yì )的荒(huāng )宅……更恐怖的是(🕣)，当(💾)他(🥃)(tā )们再度回到这座(zuò )诡宅(zhái )，却发现，时(🗳)间(🙎)(jiā(🤖)n )跟他们走出去的时(shí )间，一样……(🚭)
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
20世(shì(🧣) )纪(⤴)福(🥏)(fú )克斯(sī )最近买下了Alma Katsu下部(bù )小说(🔸)(shuō )《饥(🤩)饿(🛒)》（(🤛)The Hunger）的(de )电影(yǐng )版权，这部小说以《行尸(🔵)走(🗄)肉》的(👠)(de )风(🧞)格(gé )叙述了北美历史(shǐ )上最(zuì )恐(🤨)怖(🎿)的一(🚪)段(🆚)“食(shí )人”历史。
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